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Sholay

Sholay is a famous "curry" western, India's answer to the spaghetti westerns of Italy. A rousing combination of action, romance, drama, comedy, music, and revenge, Sholay is a western that is epic in the best sense, and it deserves to stand alongside other classics in the genre.

Retired lawman Thakur Baldev Singh hires two tough but carefree criminals to hunt down a notorious bandit and bring him back alive. He refuses to reveal his motives, at least at first. In the meantime the two rogues become embroiled in a battle to stop the bandit's men from pillaging the local village.

The two thieves Veeru (Dharmendra) and Jai (Amitabh Bachchan) are uncertain that they really want to be involved, but quickly become drawn into the lawman's tragic affairs.  Veeru, a hard-drinking, smooth-talking fellow, attempts to strike up an affair with a loquacious local girl named Basanti. Jai exchanges longing glances with the Thakur's widowed daughter-in-law Radha (Jaya Bhaduri). Jai is the more reserved of the pair, but his sardonic wit and easy charisma make it easy to see why Sholay helped make Amitabh Bachchan become one of the biggest stars in Bollywood.

As the two men become entangled in the Thakur's and the village's problems, they begin to question their lifestyle and wonder if they should give up thieving and settle down. But the bandit chieftan Gabbar Singh is not a man to simply give up his tribute and walk away because two men with guns have come to town.

The cast and acting are excellent. Amjad Khan is loathsome as the villainous bandit chieftain Gabbar Singh, and Sanjeev Kumar seethes with desire for veangence as Thakur Baldev Singh. Hema Malini is irrepressible as the chatterbox maiden Basanti, and her on-screen chemistry with Veeru must have been somewhat realistic because they got married offscreen. Amitabh Bachchan and Jaya Bhaduri also got married in real life.

There are, of course, musical sequences. They're generally quite good; the sequence where Basanti dances for the bandits is a standout. One thing I found unusual (and my experience with Bollywood is limited, so perhaps this isn't as unusual as it seems) is that the music sequences were generally worked directly into the plot. Instead stopping reality for a song and dance, the songs and dances are combined with the action and drama; for example, a musical village celebration is interrupted by a bandit raid at one point.  

There are some obvious influences here from the Seven Samurai and Once Upon a Time in the West, but Sholay takes these influences and makes its own film out of them. The direction is assured, there is some great cinematography, and if R.D. Burman's score isn't quite as excellent as the best of Ennio Morricone's western scores, it's still very good.

There are great action set pieces; at the start of the movie the roguish heroes are introduced to the lawman and he frees them to help defend a train from bandits. From kickass brawls to shootouts the action doesn't disappoint, and there's plenty of it. There is even a homage to a classic kung fu showdown.

Sholay is a very long movie; I watched the director's cut, which is around three and a half hours long. Stack it up against some classics like Once Upon a Time in the West (which is about three hours long itself) the running time seems a little more reasonable. More importantly, the movie is entertaining for the entire three and a half hours. There's an intermission halfway through, and since you're likely to be viewing it on DVD you can certainly use it to take a break if the length worries you. Don't let it stop you from checking this movie out.

Now if we could just get a properly remastered Criterion release of the DVD; it's a shame that the current region 1 DVD is not worthy of the film. And no subtitles during the songs? That's just sad. This movie deserves better.

Minor complaints aside (and most of them are DVD-related, not complaints with the movie itself) Sholay is a great western. It may not be the greatest western of all time, but it's certainly made it to my "best of" list. If you like the genre you owe it to yourself to check this one out, even if you're not sure you're ready for Bollywood.

Four and a Half Stars for Sholay

Sholay is one of my Bollywood

Anonymous's picture

Sholay is one of my Bollywood favorites - a near perfect picture, if you ask me.

Regarding the musical numbers, about half of the (not that great) number of films I have seen use the musical numbers like Sholay does. If I had to take a wild guess, I'd say more action-oriented films tend to the more "realist" use of singing and dancing. I could be completely wrong about this, though.

I'd been meaning to watch it

Lurple's picture

I'd been meaning to watch it for a very long time. It's an excellent film, and it seems to be criminally underrepresented on IMDB as far as reviews go. It's a real shame that there doesn't seem to be a better DVD with English subtitles available; if anyone knows of one I'd love to hear about it, even if it's not for region 1.

Interesting about the musical numbers. I'm far from a Bollywood expert, but I've watched a fair number of films now. They do tend to be the bizarre and cheesy rather than actually good Bollywood films, excluding Sholay and Main Hoon Na. Perhaps that makes a difference.

I'll probably review Shootout at Lokhandwala next time around, which seems to be a prime example of exactly how not to include musical numbers in your gritty urban crime drama.

Yes, I am mostly not watching

Anonymous's picture

Yes, I am mostly not watching the worthy films, too.

I'll see my first Ramsay Brothers film soon. It will be interesting to see how they use the musical numbers.

I need to learn more about Bollywood

Anonymous's picture

I once had a an Indian roommate (and close friend) in Seattle and I learned very little about Bollywood and Indian cinema because he frankly hated all of it. I have never seen an entire Bollywood film, while I have seen some bigger production films. I of course want to see the ones with the musical numbers and silly acting that is done seriously but have no clue where to begin, and it sounds like this film may be a place to start.If I can find it at one of my "secret" sites on line (some of which are down lately) I will acquire it. A curry western. I learn something new everyday.

Bill

If you can't find Sholay,

Anonymous's picture

the original Don also makes for a very nice starting point. That one's quite a bit sillier, though. But you can't avoid a certain amount of silliness in Bollywood anyway.

The silliness is part of the

Lurple's picture

The silliness is part of the appeal of many of the films for me; Main Hoon Na is a great example. I highly recommend that film as well, and I think it would appeal to many westerners.

My favorite thing about Bollywood movies is the enthusiasm that they approach so many of their films with, even when the film in question is totally undeserving of it.

Yes, I have learned to love

Anonymous's picture

Yes, I have learned to love the silliness as well, but I think it's one of the things western first-time viewers could have problems with.

I totally agree about the enthusiasm. Another lovely thing about Bollywood films is of course that some of them are completely mad (see Mard, for example).

Agreed. I do try to present

Lurple's picture

Agreed. I do try to present the Bollywood reviews with a bit of western point of view; this will probably become more difficult the more as I watch more of them. Of course, my movie viewpoint is also probably hopelessly skewed from watching heaps of trash from around the world.

I think Sholay and Don are probably good points of entry for action fans, and Main Hoon Na would work for people interested in more of an action/comedy/romance; it's much lighter in tone than Sholay and Don, although it has dramatic moments. It has enough references to western films to make people feel somewhat at home, I think.

Beth would probably be a much better source of recommendations for people seeking out things other than trashy/action Bollywood movies. Probably should have Twittered that I was reviewing Sholay to let her know this was here. Smile

Oh I knew! I've just been

Anonymous's picture

Oh I knew! I've just been swamped with a frightful load of insultingly non-Bollywood-related things. What's with that?

Yeah. So, Sholay. I don't love it, to be honest, but I think that's because I don't love westerns. I have no actual criticisms of it other than "not my cup of tea." I recently re-watched it with my parents (who liked it a lot), and I did really enjoy the train scene and Dharmendra's water tower antics. I'm also impressed with its pacing - it does not suffer from the "Curse of the Second Half" like many Bollywood movies do, and it moves along really well while incorporating many different types of scenes and emotions. And even some of my very most favorite favorites drag here and there. Not Sholay. I also adore that it focuses on a friendship, and I think there are far too few novels, movies, etc., about that aspect of life. It's so cool to see two people loving each other that way (not because of romance, sex, or family).

Have you read about how the director's intended ending (which you saw) was not how the film was released in response to the contemporary political situation and a ton of pressure from the censor board?

Here's a review by someone I really like who loves the movie - this will give you more insight from a seasoned non-Indian Indian-movie fan http://www.filmigeek.net/filmi_geek/2006/10/sholay_1975.html

In my opinion, drawing a distinction between "bizarre and cheesy" and "actually good" isn't going to help you much in popular Indian cinema. I mean, I think I get what you're saying, and I think that's how most people who are unacquainted with it would talk at first (I sure did), but I think - and hope - that those two are going to overlap pretty soon. The Venn Diagram circles overlap, in my experience.

That said, I think Bollywood has shifted my taste and aesthetics quite a bit, and I bet four-or-five-years-ago-me would be surprised at what now-me loves in Indian movies.

Oh, and I wanted to say that comment #6 is exactly what drew me into Bollywood too - that wholeheartedness that is in the characters but also the filmmaking. Love it.

It's true that a film like

Lurple's picture

It's true that a film like Main Hoon Na is both bizarre, cheesy, and actually good. I hope to watch Om Shanti Om soon, maybe this weekend.

I think what we're saying is that we tend to seek out films like Commando and Papi Gudia, which would likely be considered trash even in India. At least I hope so. These are films that you would probably be happy avoiding, but we tend to look for the world's finest garbage for the sake of laughing at how bad it is. Strangely, I find that many people with our taste in movies also love really good films from around the world.

I was pretty sure Sholay would not be your cup of tea, but I'm glad you liked parts of it. I knew that there were two different cuts (and what was different about them), but not why. It doesn't surprise me that it was a political issue but I haven't read any details. I'll have to look for some... perhaps Wikipedia has an article about the movie. The history of movies like this always interests me.

I completely agree with you

Anonymous's picture

I completely agree with you here, Lurple, you just said it better than I did.

Talking about the history of Sholay (which I have only seen in the non-director's cut, by the way) - does one of you know a good book about Indian non-high-brow-cinema in English? Can it really be that there are none?

I get the feeling, some days,

Lurple's picture

I get the feeling, some days, that outside of art films international cinema in general is not well documented beyond blogs on the web. Bollywood has amazingly good material for bad movie lovers but has received remarkably little coverage even among bad movie lovers.

I got into watching Bollywood for the bad stuff but got far more out of it than I expected. I watched Om Shanti Om tonight. I tend to hate Hollywood musicals, so it's hard for me to explain why I loved this movie as opposed to something Hollywood would make. I think it just comes down to the enthusiasm and whole-heartedness that Beth and I were talking about. The people involved seem to love what they're doing, down to the credit sequence. Great stuff.

There are a ton of books on

Anonymous's picture

There are a ton of books on popular Hindi cinema, and I can send you some names. I haven't read any that talk about...well, "garbage," to quote you, though. :( Keith has talked about this on Teleport City, no?

I should put Om Shanti Om on

Anonymous's picture

I should put Om Shanti Om on my absurdly large to watch list, obviously.

Beth, I would be much obliged for some titles. :)

Then titles you shall have!

Anonymous's picture

Then titles you shall have! I'll look at my stash and bookmarks tonight and get back to you.

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